Liv Schulman is an artist/writer/filmmaker. Born in 1985, Liv Schulman grew up in Buenos Aires. Fascinated by television, the arrival of cable in 1990 and the financial crash of 2001 are among the most striking moments of her life. A graduate of the École nationale supérieure d’arts de Paris-Cergy, she’s been living in France and Buenos Aires intermittently since 2015. Liv Schulman’s work takes the form of filmed fictions, TV series, readings-performances and novel writing. The narratives at the core of her work deal with the role of subjectivity in the political space and the difficulty of giving it credit. In this way, a real telenovela is shown on television as if in a museum. In her approach, to create means directly experiencing an environment, a system, a subject.

She is represented by Piedras Galeria in Buenos Aires and anne barrault gallery in Paris.


Education

2015: Post-Diplome Lyon. Ecole Nationale Supérieure d’Arts de Lyon. (FR)
2012: UTDT programa de artistas. Post Master. Buenos Aires. (AR)
2010-2011: MFA Art Writing. Goldsmiths University of London. (EN)
2008-2010: MFA Art. École Nationale Supérieur d’art de Cergy. (FR)
2005-2008 : BA Art. École Nationale Supérieur d’art de Cergy. (FR)

Residencies

2023-2024: FILMINCO residence La Fabrique Romainville. France.
2023: Jackmousse + -. Montreuil. France.
2022-2023: Residency at the Villa Medicis, Academie de France. Roma. Italy.
2020 : October-December DaaD Artists in residency program. Berlin. Germany.
2019-2020: CITE INTERNATIONALE DES ARTS DE PARIS. France.
2019 : Lagos residencia de Arte. Ciudad de Mexico, Mexico.
2018 : Hangar. Barcelona. Spain.
2017: Parc St Leger. Residences Secondaires. France.
2017: Triangle France. Marseille. France.
2016-2017: CAC La Galerie, Noisy le Sec. France.
2015-2016: Post-Diplôme ENSBA Lyon. France.
2015: CIA (Centro de Investigations Artísticas) . Buenos Aires. Argentina.
Mundo Dios Residency. Mar Del Plata. Argentina.
2011: MACRO Residency Rosario. Argentina.

Prizes, grants and stipends

Mencion del Jurado 28 Premio Klemm. Buenos Aires. Argentina.
2do Premio Andreani. 2025. Buenos Aires, Argentina.
Prix de la Competition Flash. FID Marseille. France.
Academie de France Villa Medici. Fr.
Mondes Nouveaux. 2021. Fr.
Bourse ADAGP-Villa Vassilieff. Fr. 2019. Fr.
20th Fondation Ricard Price. 2018. Fr.
Premio Planta. Ch.a.Co Santiago de Chile. Ch.
Premio Bienal de Arte Joven. 2017. Hangar Barcelona. Es.
Residences secondaires Parc St Leger. Fr.
cènes du Sud. France. Fr.
Bourse regional PACA . Triangle France. Marseille. Fr.
DRAC Ile-de-France – La Galerie Noisy-le-sec. Fr.
Vairoletto Art Foundation. Buenos Aires. Ar.
Fondo Nacional de Las Artes. Buenos Aires. Ar.
Beca de Viaje Colección Alec Oxenford. Ar.

Solo Exhibitions

2025
Todo es prestado. Piedras Gallery. Buenos Aires, Argentina.

2024
Un Circulo que se fue Rodando. anne barrault gallery, Paris. France.

2023
ADIDAS, JENNIFER, ARIEL, WOOLITE, LE CHAT, LA CROIX, LE TEMPS, LA SANGSUE, LES PROBLÈMES, LA TRANSFORMATION, L’ENNUI. Cur. Etienne Bernard. Frac Bretagne. Rennes, France.
2022
Eurropa. At lokal int. Bienne. Switzerland.
The New Inflation. Galerie Anne Barrault. Paris. France.
Paris + by Art Basel | Grand Palais Ephémère, Paris|
Brown Yellow White and Dead, saison 1 | cinéma L’Archipel, Paris.
2021
Marron, amarillo, blanco y muerto. Piedras Galeria. Av. Rivadavia 2625, Piso 4. Buenos Aires. Argentina.
Eurropa. Cur. Elfi Turpin. Crac Alsace, Altkirch. France.  
The Gobernment. Cur. Sylvie Fortin, Curator-in-Residence 2019-2021 Bemis Center for Contemporary Arts, Omaha, NE. USA.
2020
an international subconscious awareness of capitalism. AplusA gallery. Venice. Italy.
A somatic play. Art : Concept Gallery. Paris. France.
2019
Control a TV Show Season III. Centre Pompidou. Paris. France.
Le Goubernement.  Cur. Melanie Bouteloupe et Camille Chenais. Villa Vassilieff. Paris, France.
Comercio Interior. Laboratorio.Buenos Aires, Argentina.
2018
“Los accidentes laborales” Piedras Gallery. Buenos Aires, Argentina.
Performances 2018July 2018:Nuestro propio pordiosero. Performance at Una fuerza Posible. Museo Reina Sofia. Madrid. Spain.
June 2018: Our Private Union. Performance in the frame of the public program Lust For Dust, Tampered Emotions. Marseille. France.
May 2018: Formal Economy. Alt_Cph Copenhague. Denmark.
2017
The Night Shift. Zoo Galerie, Nantes. Fr.
The Obstruction cur. Celine Kopp. SixtyEight Art Institute. Copenhagen. Denmark.
2015
The Covensky Method IV Verbo Performance Festival. Vermelho Gallery. Sao Paulo, Brazil.
Control Season II Big Sur Gallery. Buenos Aires, Argentina.
2014
El método Covensky III. A prehistoric record. Matienzo Art Centre, Buenos Aires. Ar.
El Método Covensky I.  A recess without reconstruction. Museo de Arte Moderno de Buenos Aires. Argentina.
2013
Splendour Museum of Contemporary Energy. Buenos Aires. Argentina.

Group exhibitions

2025
LANGOREYE
(L’œuvre d’art à l’ère de sa transmission orale)
((Une exposition de proximité)) Cur. Boris Achour. ARTETXE, 74 Agosti Xaho karrika, 64470 Tardets-Sorholus. France.
Arte Rata. Cur. Delfina Bustamante y Lulo Demarco. Centro Cultural Recoleta. Buenos Aires. Argentina.
Le Realisme. Cycle de performances avec Pauline Ghersi a la Fondation Pernaud Ricard. Paris, France.


2024
La Noche. PEQUOD CO. Gallery. CDMX, Mexico.
Des Grains de Sable. Pavillon Carre de Badoin, Paris. France.
La Logique des Lieux. Cur. Elodie Royer. Fondation Fiminco. Paris.
Slime. Cur. Joshua Simon16.2. – Secessions. Vienna. Austria.
Power Up: Imaginaires Techniques et Utopies Sociales. Kunsthalle Mulhouse. France.
Gunaikeîon. Frac Île-de-France, les Réserves & Fondation Fiminco, Romainville. France.
2023
Tercer Cerebro | Piedras, Buenos Aires
Una linea storta tesa | Villa Médicis, Rome | Curator : Saverio Verini. Roma. Italy.
OOR | Spazio in Situ Roma. Italy.
El Centro ha Muerto Viva el Centro. Goethe Institut. Buenos Aires. Argentina.
2022
de Toi a Moi. Cur. Jennifer Flay. Fondation Fiminco, Paris. France.
The Baroness. Cur. Daria Kahn. Mimosa House. London. England.
Chien. Cur Manon Haize. Galerie Anne Barrault, Paris.
2021
La Larva y el Pantano. Cur. Mercedes Claus. Fundación Andreani. Buenos Aires. Argentina.
a plotless horror movie. cur. Marie Sophie Beckmann and Julie Robiolle. Kleve. Germany.

2020
Le Juste Prix. A group show imagined by Bertrand Dezoteux. Fondation d’Entreprise Pernod Ricard. 1 cours Paul Ricard, 75008 Paris. France.
Estiramientos en la lengua | 23 de noviembre, 2020 – 14 de febrero, 2021. Piedras Galeria Buenos Aires. Argentina.
steirischer herbst ’20 : Paranoia TV. Graz, Austria.
Tres Palomitas: Socially distanced lesbian cruising pre-warming for the upcoming world we want. Daadgallerie. Berlin. De.

2019
Le couteau sans lame et dépourvu de manche. Cur. Elfi Turpin. Crac Alsace. Altkirch, Fr.
Une journée avec Marie Vassilief. Fondation des artistes (MABA), Nogent sur Marne. France.
2018
20ème Prix de la Fondation d’entreprise Ricard. Paris, France.
The Fatala Momentet. Växjö Konsthall. Sweden.
Perdon por ser Tan Sensual. Feria Ch.a.Co Santiago de Chile. Chile.
Vos désirs sont les nôtres. Cur. Celine Kopp and Marie de Gaulejac. La Tour-Panorama. Friche Belle de Mai, Marseille. France.
Democracia en Obra. Centro Cultural Kirschner. Buenos Aires. Argentina.
The map is the Territory. Bregenz Biennale . Bregenz Austria.
2017
The Empathy Performance at the Cut the Gap seminar. SMK Copenhague, Denmark.
Sans bride, ni mors, ni rênes Cur. Doriane Spiteri. Rennes. France.
Buenos Aires Young Art Biennale Centro Cultural Recoleta. Buenos Aires, Argentina.
Tes Mains Dans Mes Chaussures #3 Cur. Vanessa Desclaux & Emilie Renard. La Galerie Noisy-le-Sec, France.
Tes Mains Dans Mes Chaussures #2 Cur. Vanessa Desclaux & Emilie Renard. La Galerie Noisy-le-Sec France.
2016
Incorporated! Biennale de Rennes. Halle de la Courrouze. Rennes, France. Cur. François Piron.
Bienal del Pensamiento Paralelo. Cur. Marcelo Galindo. Buenos Aires, Argentina.
2015
La menor Resistencia. Nora Fish Gallery. Buenos Aires, Argentina.
2014
Performaton. Cur. Javier Villa. Museo de Arte Moderno, Buenos Aires. Argentina.
2013
Un Mundo que se Acuerda a Nuestros Deseos Cur. Camila Telléz. Mite Gallery. Buenos Aires, Argentina.
New Economy Cur. Claudio Iglesias. Alberto Sendrós Gallery. Buenos Aires. Argentina.
Fundación Vairoletto Cur. Lucrecia Palacios. Faena Art Centre Buenos Aires. Argentina.
XIV National Fine Arts Salon of Rosario. Rosario Argentina
Visite Israel- Visite Palestina. Metrónomo Gallery. Buenos Aires. Argentina.

Public collections
Museo de Arte Contemporaneo de Rosario. Ar.
Centre National des Arts Plastiques. Paris. Fr.
Musée National d’Art Moderne, Centre Pompidou. Paris. Fr.
Le Plateau, FRAC Ile-de-France, Paris, Fr.
Frac Lorraine. Metz. Fr.
Frac Limoges. Fr.

Screenings and festivals.
2024
Reprise du FID au Cinema St Andre des Arts. Paris.
Festival Actoral. Marseille. France.
RFF. REYKJAVIK INTERNATIONAL FILM FESTIVAL. Island.
Black Canvas Festival. Ciudad de Mexico, Mexico.
FID Marseille. Prix de la competition Flash.
La Hora del Pati. M|A|C Mataró, Cataluña.
A somatic play at galeria Crisis. Lima, Peru.
2023
AFI Artists’ Film International.
2022
Money has no Smell. New York. United States.
Fid Marseille. France.
L’archipel. Paris, France.
2020
steirischer herbst. Graz, Austria.
2019
Schirn Francfort. Double feature. Germany.
Prospectif Cinéma. Centre Pompidou. Paris. France.
Mac Marseille. Control épisodes 2 et 3 Season 3. France.
2017
Que Faire?#2 Khiasma. Les Lilas. France.
2016
Control a TV Show. Television de Rennes. France.
Screening of La Desaparicion In Extenso. Clermont Ferrand, France.
Screening of Assamblée Generale. Cac La Galerie de Noisy-le-Sec. France.
Screening of Assémblée Generale. Musée des Confluences. Lyon. France.
2015
Screening of La Desaparicion Museo de La Democracia. Montevideo, Uruguay.

ART FAIRS:
2023 Arteba/ Buenos Aires. Expo Chicago.EEUU.
2022:Paris + by Art Basel | Grand Palais Ephémère, Paris|
2021:Around Video Art Fair/ Paris Internationale. Paris.
2020: ARCO. Madrid.
2019: ARTEBA. Buenos Aires.
2019: LISTE.Basel.
2019:Feria CHA.CO. Santiago de Chile.

Publishing
Infinite Bet. Real Simple Syndication Books. Copenhague. Denmark. 2018.
Que Faire Liv Schulman? Immixtion Books, Marseille. France. 2018.
El método Covensky (novel). Editions Tammy Metzler. Argentina. 2015.
El Camino del CNTRL. Editions Tammy Metzler. Argentina. 2013.

Press/

Liv Schulman according to Federica Baeza The Terms of Exchange in Three Walks:
https://www.fondation-pernod-ricard.com/en/textwork/terms-exchange-three-walks

Text by Pablo Larias: https://www.artforum.com/columns/full-circle-buenos-aires-diary-pablo-larios-1234733174/
Text by Agustina Gayo for Victorica : https://victorica.medium.com/para-qu%C3%A9-sirve-dios-agustina-gayo-dd5ae1808dbb

Liv Schulman « The New Inflation » Par Catherine Francblin : https://www.artpress.com/2022/04/28/liv-schulman-the-new-inflation/

Oriane Durand in EU Reviews Exhibition Reviews | 06 MAY 21: https://www.frieze.com/article/liv-schulman-crac-alsace-2021-review

Text by Claire Moulene: https://www.liberation.fr/culture/arts/art-contemporain/liv-schulman-des-idees-derriere-la-dette-20220429_NFZVUZX7NJDODPAFQLOELZDF4M/

Text by Pierre Rouault: https://www.zerodeux.fr/reviews/liv-schulman-au-frac-bretagne/

Text by Sophie Lapalue http://www.labellerevue.org/fr/focus/2017/liv-schulman-paranoia-epidemique

Text by Marion Vasseur Raluyhttp://marionvasseurraluy.com/writing/liv-schulman-catalogue-fondation-ricard/

Text by Lise Grüner Bertelsenhttps://kunsten.nu/journal/liv-schulman-intet-er-entydigt/

Text by Guadalupe Creche https://elgranotro.com/liv-schulman/

Text by Ingrid Luquet-Gad https://livschulman.com/wp-content/uploads/2021/04/liv-schulman_le-goubernement_les-inrocks.pdf

Text by Nancy Rojas: https://docs.google.com/document/d/1dxkcDd0NeU6QGIh-DIKXg2n6zo3m8sOU/edit?usp=sharing&ouid=116770454219648399754&rtpof=true&sd=true

Text by Guillaume Laserre: https://www.zerodeux.fr/news/liv-schulman/

Text by Oriane Durand : https://www.frieze.com/article/liv-schulman-crac-alsace-2021-review

Text by Elfi Turpin: https://artviewer.org/liv-schulman-at-crac-alsace/

Centre Pompidou: https://www.centrepompidou.fr/en/ressources/media/uB7lfMD

Online press and publishing

El Flasheritohttp://flasherito.com.ar/tag/el-flasherito/ Art writing newspaper. Directed in collaboration with Andrés Aizicovich et Leopoldo Estol. Tabloid format submitted to exceptions. 15 issues. Buenos Aires.
Arts of the Working Classes, Issue #7 the Americas. Algo mejor que Nada (Something Better than Nothing). Emargé #001, Emargé #002. Tengen #003. ITCH #07.Granta #143. ReadDirtyToMe #2. Allotrope #01.Hipertexte # 43. Foxandsquirrel #128. Artists Talking (blog). Verities #07. Young Fresh and Relevant Issue #03. Radar. Pagina 12. Pobre, Feo y Elegante I, II, III. “Idioglossia, An Art Writing Glossary” Whitechapel Editions. El Flasherito #1,2,3,4,5,6,7,8,9,10,11 ,12,13, 14, 15, 16.

Lectures and teaching

2022-2023: Invited professor at the Beaux Arts de Paris art school. Paris, France.
2022: Workshop at Marseille’s Fine Art School with Pauline Ghersi and Nicolas Feodoroff.
2019-2021: Proffesor at the Haute Ecole des Arts du Rhin. Strasbourg. France. 2019: The ally, the private Union. Workshop at HGB Leipzig. Germany.
2017- “A blockbuster is born” Workshop with 2nd and 3rd year students and lecture at the EBABX. Bordeaux. France.
Lecture at ESACM followed by workshop with 5th year students. Clermont Ferrand. France.
La mediation par l’Esoterisme Workshop at Cac La Galerie de Noisy-le- Sec. France.  
2014-2015: Formar teaching with Monica Giron. UTDT. Buenos Aires. Argentina.
2014: De la Escritura a la Escultura Six months workshop at UV Estudios. Buenos Aires Argentina.
2014: El Universo y Yo CC Matienzo. Buenos Aires Argentina.
2011-2012: Dibujar es escribir, escribir es esculpir One year workshop at the Nuevo Museo de Energía Contemporánea La Ene. Buenos Aires. Argentina.
2012-2014: Triple Frontera. Art Writing Cycle. Buenos Aires. Argentina.